The Making of Regional Cultures MCQ Class 7

Q: What factors contribute to the formation of regional identities in India?

Regional identities in India are shaped by language, food, clothing, art, and historical influences, along with the intermixing of local traditions and external ideas.

Q: How did the Chera kingdom influence the development of the Malayalam language?

The Chera kingdom, established in the 9th century, introduced Malayalam through inscriptions and promoted its literary development, drawing influences from Sanskrit.

Q: What role did the Jagannatha cult play in the social and political landscape of Orissa?

The Jagannatha cult became a significant religious center, enhancing political authority and serving as a symbol of local identity, attracting various rulers seeking legitimacy.

Q: How did Rajput traditions influence Rajasthani culture?

Rajput traditions emphasized ideals of heroism and valor, preserved through poems and stories recited by minstrels, which shaped the cultural identity of Rajasthan.

Q: What is the significance of miniatures in the context of Indian art?

Miniatures reflect the cultural and artistic heritage of India, illustrating historical narratives and royal life, particularly during the Mughal era, and evolved through regional influences.

Question 1

Question 1: What is one of the most common ways of describing people in terms of regional identity?

A. By the festivals they celebrateB. By the food they eatC. By the language they speakD. By the clothes they wear

Answer

C. One of the common ways of describing people is by the language they speak, such as referring to someone as Tamil or Oriya. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 2

Question 2: What does the evolution of regional cultures often involve?

A. Isolation of local traditionsB. Intermixing of local traditions and ideas from other regionsC. Complete rejection of outside influencesD. Adoption of only foreign traditions

Answer

B. Regional cultures often evolve through the intermixing of local traditions with ideas from other regions. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 3

Question 3: Which region is associated with the development of Malayalam?

A. Tamil NaduB. OrissaC. KeralaD. Rajasthan

Answer

C. The development of Malayalam is associated with the Chera kingdom in the southwestern part of the peninsula, in present-day Kerala. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 4

Question 4: Which century saw the establishment of the Chera kingdom of Mahodayapuram?

A. 5th centuryB. 7th centuryC. 9th centuryD. 11th century

Answer

C. The Chera kingdom of Mahodayapuram was established in the 9th century. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 5

Question 5: What language did the Chera rulers introduce in their inscriptions?

A. TamilB. OriyaC. MalayalamD. Kannada

Answer

C. The Chera rulers introduced Malayalam in their inscriptions. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 6

Question 6: How did the temple theatre of Kerala reflect cultural intermixing?

A. It focused on local folk traditions exclusivelyB. It borrowed stories from Tamil folkloreC. It incorporated Sanskritic traditionsD. It avoided any outside influences

Answer

C. The temple theatre of Kerala borrowed stories and was influenced by Sanskritic traditions. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 7

Question 7: What was the name of the Chera kingdom established in the 9th century?

A. MahodayapuramB. KanchipuramC. TanjoreD. Madurai

Answer

A. The Chera kingdom established in the 9th century was called Mahodayapuram. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 8

Question 8: What is one of the earliest examples of the use of Malayalam?

A. PoemsB. Early inscriptions by Chera rulersC. FolktalesD. Temple architecture

Answer

B. One of the earliest examples of the use of Malayalam is in the inscriptions by Chera rulers. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 9

Question 9: Which other tradition influenced the Malayalam language and culture during the Chera period?

A. Tamil traditionB. Dravidian traditionC. Sanskritic traditionD. Pali tradition

Answer

C. The Sanskritic tradition had a significant influence on Malayalam culture during the Chera period. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 10

Question 10: What is the meaning of “Manipravalam”?

A. Gems and pearlsB. Diamonds and coralsC. Stones and gemsD. Gold and silver

Answer

B. “Manipravalam” literally means “diamonds and corals,” referring to the combination of Sanskrit and Malayalam languages. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 11

Question 11: In which century was the Manipravalam literary tradition developed?

A. 9th centuryB. 11th centuryC. 12th centuryD. 14th century

Answer

D. The Manipravalam literary tradition was developed in the 14th century. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 12

Question 12: What did the Sanskrit-Malayalam hybrid “Manipravalam” primarily deal with?

A. HistoryB. Grammar and poeticsC. AstronomyD. Agriculture

Answer

B. Manipravalam primarily dealt with grammar and poetics. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 13

Question 13: What form of art from Kerala is directly indebted to Sanskrit traditions?

A. KathakB. BharatanatyamC. Early Kerala temple theatreD. Manipuri dance

Answer

C. The early Kerala temple theatre is directly indebted to Sanskrit traditions. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 14

Question 14: What feature characterizes the Chera inscriptions from the 9th century?

A. Use of TamilB. Use of SanskritC. Use of the Malayalam language and scriptD. Use of Kannada

Answer

C. The Chera inscriptions from the 9th century were in the Malayalam language and script. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 15

Question 15: Which deity is central to the Jagannatha cult in Orissa?

A. KrishnaB. JagannathaC. ShivaD. Durga

Answer

B. The central deity of the Jagannatha cult in Orissa is Jagannatha, a form of Vishnu. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 16

Question 16: Who is credited with building the first Jagannatha temple in Puri?

A. King AnantavarmanB. King Anangabhima IIIC. King AshokaD. King Harsha

Answer

A. King Anantavarman of the Ganga dynasty is credited with building the first Jagannatha temple in Puri. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 17

Question 17: When did King Anangabhima III dedicate his kingdom to the Jagannatha deity?

A. 1230B. 1000C. 1100D. 950

Answer

A. In 1230, King Anangabhima III dedicated his kingdom to the deity Jagannatha and proclaimed himself the deputy of the god. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 18

Question 18: Which group of people was responsible for making the wooden image of the Jagannatha deity?

A. PriestsB. Local BrahminsC. Local tribal peopleD. Artists from Orissa

Answer

C. The local tribal people were responsible for making the wooden image of the Jagannatha deity. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 19

Question 19: What significance did the Jagannatha temple hold for conquerors of Orissa?

A. It was a place of treasureB. It was a place of pilgrimage onlyC. Controlling the temple made their rule acceptable to the local peopleD. It was used as a fortress

Answer

C. Conquerors of Orissa sought to control the Jagannatha temple because doing so made their rule acceptable to the local people. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 20

Question 20: Which dynasties sought to gain control over the Jagannatha temple in Orissa?

A. Mughals, Marathas, and English East India CompanyB. Cholas, Pandyas, and CherasC. Mauryas, Guptas, and RashtrakutasD. Palas, Pratiharas, and Senas

Answer

A. The Mughals, Marathas, and English East India Company all sought to gain control over the Jagannatha temple. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 21

Question 21: What role did the Ganga dynasty play in the spread of the Jagannatha cult?

A. They discouraged its spreadB. They built small shrines for the deityC. They built a grand temple and dedicated the kingdom to the deityD. They focused on spreading the cult outside Orissa

Answer

C. The Ganga dynasty rulers, especially King Anangabhima III, built a grand temple for Jagannatha and dedicated their kingdom to the deity. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 22

Question 22: What is one way that the cult of Jagannatha influenced political authority in Orissa?

A. Rulers associated their power with the deityB. It became a tool for local revoltsC. The deity symbolized resistance to foreign powersD. The temple served as a meeting place for rulers

Answer

A. The cult of Jagannatha helped rulers associate their power with the deity, which enhanced their political authority. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 23

Question 23: Which religious tradition did the Jagannatha cult originally belong to?

A. ShaivismB. VaishnavismC. BuddhismD. Jainism

Answer

B. The Jagannatha cult is a part of the Vaishnavism tradition. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 24

Question 24: Why is the Jagannatha temple considered an important pilgrimage site?

A. It houses the largest deity in IndiaB. It is where Hindu kings receive their coronationC. It has been a major religious center for centuriesD. It is believed to offer blessings to conquerors

Answer

C. The Jagannatha temple has been a major religious center and pilgrimage site for centuries. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 25

Question 25: What was the original material used to create the image of Jagannatha?

A. StoneB. BronzeC. WoodD. Gold

Answer

C. The original image of Jagannatha was made of wood, crafted by local tribal people. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 26

Question 26: Which region was called Rajputana by the British in the 19th century?

A. PunjabB. RajasthanC. GujaratD. Madhya Pradesh

Answer

B. The British referred to the region that constitutes most of present-day Rajasthan as Rajputana in the 19th century. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 27

Question 27: What is the cultural contribution of the Rajputs to Rajasthan?

A. Development of modern architectureB. Contribution to Rajasthani culture and traditions of heroismC. Influence on South Indian temple architectureD. Contribution to Mughal painting styles

Answer

B. The Rajputs are often recognized for contributing to Rajasthani culture and traditions of heroism. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 28

Question 28: How were the ideals of Rajput rulers expressed?

A. Through diplomacyB. Through art and poetryC. Through ideals of heroism and valor in battleD. Through political treaties with neighboring kingdoms

Answer

C. Rajput rulers expressed their ideals through heroism and valor in battle. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 29

Question 29: Who preserved the stories of Rajput heroes?

A. Royal scribesB. Religious leadersC. Poets and minstrelsD. Historians

Answer

C. Poets and specially trained minstrels preserved the stories of Rajput heroes. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 30

Question 30: What emotions were often depicted in stories about Rajput heroes?

A. Anger and rebellionB. Loyalty, friendship, love, and valorC. Sadness and despairD. Ambition and treachery

Answer

B. Stories about Rajput heroes often depicted emotions such as loyalty, friendship, love, and valor. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 31

Question 31: How did women feature in the stories of Rajput heroism?

A. They were leaders of armiesB. They were depicted as followers of their heroic husbands in life and deathC. They were portrayed as rulers of Rajput kingdomsD. They were completely absent from heroic stories

Answer

B. Women were often depicted as following their heroic husbands in both life and death in Rajput heroic stories. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 32

Question 32: What was the significance of the practice of sati in Rajput heroic tales?

A. It symbolized loyalty to the empireB. It was seen as an honorable act of following a husband in deathC. It was a form of protest against foreign ruleD. It was associated with temple rituals

Answer

B. The practice of sati in Rajput tales symbolized loyalty and following one’s husband in death. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 33

Question 33: Which ruler of Rajasthan was known for his heroism and mentioned in these traditions?

A. Maharana PratapB. Prithviraj ChauhanC. Raj Singh of BikanerD. Anangabhima III

Answer

B. Prithviraj Chauhan is one of the Rajput rulers known for his heroism and mentioned in Rajput traditions. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 34

Question 34: How did ordinary people relate to the stories of Rajput heroes?

A. They were indifferentB. They saw the stories as only relevant to royaltyC. They were inspired by the emotions and dramatic situationsD. They rejected the ideals presented in the stories

Answer

C. Ordinary people were attracted to these stories due to the dramatic situations and the range of emotions depicted. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 35

Question 35: In which century did Rajput families begin ruling most of present-day Rajasthan?

A. 6th centuryB. 8th centuryC. 10th centuryD. 12th century

Answer

B. From about the 8th century, various Rajput families ruled most of the present-day state of Rajasthan. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 36

Question 36: What role did minstrels play in Rajput society?

A. They served as royal advisorsB. They composed songs and poems that glorified Rajput heroesC. They acted as warriors in times of warD. They participated in political negotiations

Answer

B. Minstrels composed songs and poems that glorified Rajput heroes, preserving their memory. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 37

Question 37: What is the origin of the term “Kathak”?

A. Derived from the Sanskrit word “Katha,” meaning storyB. Derived from Persian art traditionsC. Derived from the Tamil word for danceD. Derived from Mughal court traditions

Answer

A. The term “Kathak” is derived from the Sanskrit word “Katha,” meaning story. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 38

Question 38: What was the original role of Kathak dancers in temples?

A. They performed court dancesB. They narrated stories through dance and gesturesC. They performed religious ritualsD. They practiced asceticism

Answer

B. Kathak dancers originally narrated stories in temples, using dance and gestures to embellish their performances. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 39

Question 39: How did the Bhakti movement influence Kathak?

A. It removed the storytelling aspectB. It introduced secular themesC. It led to the enactment of Radha-Krishna legends in folk playsD. It restricted the art form to temple rituals

Answer

C. The Bhakti movement influenced Kathak by introducing the enactment of Radha-Krishna legends in folk plays. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 40

Question 40: In which royal courts did Kathak evolve into a distinctive dance form?

A. Vijayanagara and MaduraiB. Delhi and AgraC. Jaipur and LucknowD. Udaipur and Jaisalmer

Answer

C. Kathak evolved into a distinctive dance form in the courts of Jaipur and Lucknow. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 41

Question 41: Under whose patronage did Kathak flourish in the Lucknow court?

A. Maharaja Sawai Jai SinghB. Wajid Ali ShahC. AkbarD. Bahadur Shah Zafar

Answer

B. Kathak flourished in the Lucknow court under the patronage of Wajid Ali Shah, the last Nawab of Awadh. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 42

Question 42: What were key features of Kathak during its development in Mughal courts?

A. Use of heavy armory and physical combatB. Emphasis on rapid footwork and elaborate costumesC. Focus on group performances onlyD. Strictly religious themes

Answer

B. Key features of Kathak in Mughal courts included rapid footwork, elaborate costumes, and the enactment of stories. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 43

Question 43: Which colonial power disapproved of Kathak in the 19th century?

A. The DutchB. The BritishC. The PortugueseD. The French

Answer

B. The British viewed Kathak with disfavor in the 19th and 20th centuries. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 44

Question 44: How did Kathak survive during British colonial rule?

A. It was performed secretly in templesB. It was maintained by courtesans and patronized by local rulersC. It was transformed into a different art formD. It was taught in British schools

Answer

B. Kathak survived under British colonial rule through performances by courtesans and the patronage of local rulers. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 45

Question 45: After independence, how was Kathak recognized?

A. As a folk danceB. As one of the six classical dance forms of IndiaC. As a religious ritualD. As a colonial art form

Answer

B. After independence, Kathak was recognized as one of the six classical dance forms of India. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 46

Question 46: Which two Gharanas (schools) are associated with the evolution of Kathak?

A. Tanjore and MaduraiB. Jaipur and LucknowC. Banaras and ChennaiD. Hyderabad and Mysore

Answer

B. The two Gharanas associated with the evolution of Kathak are Jaipur and Lucknow. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 47

Question 47: What role did Wajid Ali Shah play in the development of Kathak?

A. He introduced new religious themesB. He reduced the use of storytellingC. He was a major patron, helping Kathak grow into a major art formD. He restricted the dance to temples

Answer

C. Wajid Ali Shah, the last Nawab of Awadh, was a major patron who helped Kathak grow into a major art form. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 48

Question 48: What aspect of Kathak was emphasized in British colonial attitudes?

A. Its artistic beautyB. Its religious significanceC. Its association with courtesansD. Its value as a historical tradition

Answer

C. British colonial attitudes viewed Kathak with disfavor, largely due to its association with courtesans. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 49

Question 49: What are miniature paintings typically made on?

A. StoneB. Watercolor on cloth or paperC. Bronze platesD. Wooden canvases

Answer

B. Miniature paintings are generally done in watercolor on cloth or paper. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 50

Question 50: Which religious texts were early miniatures in western India used to illustrate?

A. Buddhist textsB. Jaina textsC. Vedic scripturesD. Ramayana

Answer

B. Early miniatures in western India were used to illustrate Jaina texts. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 51

Question 51: Which Mughal emperor was known for his patronage of miniature painters?

A. AurangzebB. HumayunC. AkbarD. Shah Jahan

Answer

C. Mughal emperor Akbar was known for his patronage of highly skilled miniature painters. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 52

Question 52: What was a common theme in Mughal miniature paintings?

A. Religious ritualsB. Portraits of deitiesC. Court scenes and social lifeD. Landscape painting

Answer

C. Mughal miniature paintings commonly portrayed court scenes, scenes of battle or hunting, and other aspects of social life. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 53

Question 53: Where did many Mughal painters migrate after the decline of the Mughal Empire?

A. To the Deccan and Rajput courtsB. To PersiaC. To European courtsD. To southern India

Answer

A. Many Mughal painters migrated to the Deccan and Rajput courts after the decline of the Mughal Empire. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 54

Question 54: What style of painting developed in the Himalayan foothills around Himachal Pradesh?

A. Tanjore paintingB. Kangra paintingC. Mysore paintingD. Kerala mural painting

Answer

B. Kangra painting developed in the Himalayan foothills around Himachal Pradesh. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 55

Question 55: What characterized the Kangra school of painting?

A. Use of heavy, dark colorsB. Bright colors and depiction of court lifeC. Soft colors like cool blues and greens, and lyrical themesD. Focus on religious iconography only

Answer

C. The Kangra school of painting used soft colors like cool blues and greens and had a lyrical treatment of themes. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 56

Question 56: Which invasion led to the migration of Mughal artists to the hills?

A. Nadir Shah’s invasion of DelhiB. Babur’s invasion of IndiaC. The British conquest of BengalD. The Maratha invasion of Orissa

Answer

A. Nadir Shah’s invasion of Delhi in 1739 led to the migration of Mughal artists to the hills. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 57

Question 57: What was the most popular text to be painted in Basohli style?

A. MahabharataB. Gita GovindaC. RamayanaD. Bhagavata Purana

Answer

B. The most popular text painted in Basohli style was Bhanudatta’s

Question 58

Question 58: What was a significant source of inspiration for Kangra paintings?

A. Mughal architectureB. Vaishnavite traditionsC. Persian poetryD. Jain philosophy

Answer

B. Vaishnavite traditions were a significant source of inspiration for Kangra paintings. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 59

Question 59: What material was used to create early miniatures in western India?

A. Palm leaves and woodB. Marble and graniteC. Canvas and metalD. Silk and cotton

Answer

A. Early miniatures in western India were created on palm leaves and wood. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 60

Question 60: How were miniatures often used in Mughal courts?

A. As religious offeringsB. As educational toolsC. As gifts exchanged among the emperor and close associatesD. As legal documents

Answer

C. Miniatures were often exchanged as gifts among the emperor and close associates in Mughal courts. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 61

Question 61: Which language is recognized as the primary regional language of Bengal today?

A. SanskritB. HindiC. BengaliD. Pali

Answer

C. Bengali is recognized as the primary regional language of Bengal today. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 62

Question 62: Which century saw the Gupta rulers establish control over north Bengal?

A. 4th centuryB. 6th centuryC. 8th centuryD. 10th century

Answer

A. The Gupta rulers established control over north Bengal in the 4th century. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 63

Question 63: How did Sanskrit influence the development of the Bengali language?

A. It led to the complete rejection of local dialectsB. Sanskrit had no influence on BengaliC. It introduced new vocabulary and grammatical structuresD. It forced the use of Persian in daily speech

Answer

C. Sanskrit influenced the development of Bengali by introducing new vocabulary and grammatical structures. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Question 64

Question 64: Which kingdom made Bengal the center of a regional empire during the 8th century?

A. Pala kingdomB. Chola kingdomC. Vijayanagara kingdomD. Rajput kingdom

Answer

A. The Pala kingdom made Bengal the center of a regional empire during the 8th century. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Accepted Answer

B. Akbar’s conquest of Bengal in 1586 helped spread the use of Bengali. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Accepted Answer

B. “Mangalakavyas” were epic poems dealing with local deities. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Accepted Answer

A. Chaitanyadeva was a key figure in the Vaishnava Bhakti movement, as reflected in early Bengali literature. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Accepted Answer

C. Early Bengali literature was divided into categories influenced by Sanskrit and folk traditions. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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B. Dharma Thakur is a central deity in Nath literature in Bengal. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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A. The Naths were ascetics who engaged in yogic practices. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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C. Local traditions remained strong in Bengal due to the weak influence of Brahmanas. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Accepted Answer

B. “Pirs” played a role in religious transformations and acted as community leaders in early Bengal. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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C. The rise of temples in Bengal occurred during the 16th to 19th centuries. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Accepted Answer

B. The architecture of Bengali temples was influenced primarily by local communities and Brahmanas. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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B. Bengali temple architecture is characterized by double-roofed and four-roofed structures. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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C. Low social groups, such as Kolu (oil pressers) and Kansari (bell metal workers), played a significant role in the construction of temples in Bengal. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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B. Local communities built temples to demonstrate their economic power and piety. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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C. The construction of temples allowed ordinary people to assert their social status in society. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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B. The four-roofed Bengali temples feature four triangular roofs that converge at a point. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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C. Decoration in temples, particularly in Vishnupur located in Bankura district, reached a high degree of excellence. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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D. The arrival of European trading companies created new economic opportunities, encouraging the building of temples as symbols of status. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Accepted Answer

B. Brahmanas recognized and elevated local deities, leading to their worship in temples. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Accepted Answer

B. Many Bengali temples were decorated with ornamental tiles and terracotta tablets. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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B. The construction of temples in rural Bengal served to demonstrate the power and identity of local communities. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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B. Traditional food habits in Bengal are significantly influenced by the availability of fish due to its riverine landscape. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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B. Fish is a staple in Bengali diet and symbolizes cultural identity. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Accepted Answer

C. There was a relaxation of Brahmanical food taboos in Bengal, allowing non-vegetarian dishes, particularly fish, to be consumed. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Accepted Answer

C. Local communities contributed to the diversification of food practices in Bengal. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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A. Rice is a prominently featured ingredient in Bengali cuisine. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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C. Hilsa fish is particularly valued in Bengali cooking. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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B. Festivals in Bengal celebrate regional identity through the preparation and sharing of traditional dishes. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Accepted Answer

B. Globalization has introduced international cuisines while still allowing for the preservation of local dishes in Bengal. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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B. Fish is commonly cooked in rich spices and served with rice in Bengali households. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Accepted Answer

B. A variety of social groups, including lower castes, contributed to the evolution of food practices in Bengal. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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B. Marinating and frying is a traditional method of preparing fish in Bengali cuisine. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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B. Traditional foods in Bengal reflect the history and geography of the region, linking food and cultural identity. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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B. Bengali sweets are distinguished by their emphasis on dairy and rice-based ingredients. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

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B. Communal eating in Bengal promotes social harmony and strengthens community bonds. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Accepted Answer

C. Hilsa is traditionally eaten during celebrations in Bengal. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

Accepted Answer

C. The availability of local ingredients promotes the use of diverse and fresh ingredients in Bengali cuisine. (The Making of Regional Cultures MCQ Class 7 by Top100MCQ.com)

The Making of Regional Cultures MCQ Class 7

Introduction The Making of Regional Cultures (MCQ 1 to 6)

The Cheras and the Development of Malayalam (MCQ 7 to 14)

Rulers and Religious Traditions (MCQ 15 to 25)

The Rajputs and Traditions of Heroism (MCQ 26 to 36)

Beyond Regional Frontiers: The Story of Kathak (MCQ 37 to 48)

Painting for Patrons: The Tradition of Miniatures (MCQ 49 to 60)

Regional Language and Culture in Bengal (MCQ 61 to 72)

Temple Building and Cultural Transformation in Bengal (MCQ 73 to 84)

Food and Cultural Identity in Bengal (MCQ 85 to 100)

Most Asked Important Questions on The Making of Regional Cultures MCQ Class 7:

What factors contribute to the formation of regional identities in India?

How did the Chera kingdom influence the development of the Malayalam language?

What role did the Jagannatha cult play in the social and political landscape of Orissa?

How did Rajput traditions influence Rajasthani culture?

What is the significance of miniatures in the context of Indian art?

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